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PIX-HC1A "Case Only"
Rugged polymer carry case with custom cut foam insert space for a PIX 220(i) or PIX 240(i), up to four 2.5 SSDs, one PIX-HOOD, two XL-B2 batteries, and one XL-WPH3 power supply. Dimensions: 17 x 11.50 x 6 inches. |
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PIX-HDMI FM
Full HDMI to right -angle Micro HDMI Coiled cable. Length range = 11.8" (29.97cm) to 17.7" (45cm). For use with PIX-E Recording Monitors & PIX-240i |
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PIX-HOOD
Sun shield for PIX HD Portable Video Recorders; magnetic connection; 5.75" L X 4.25" H X 2.75" D (14.6 X 10.8 X 7.0 cm). |
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PIX-LCD
ONLY ONE UNIT LEFT ON STOCK - Clear Polycarbonate LCD cover for PIX HD Portable Video Field Recorders. |
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PIX-LR
Audio interface that mounts to bottom of PIX-E Monitors via screw-on 1/4" connection. Provides two XLR inputs and outputs, featuring Sound Devices-caliber mic preamps, LED metering and dedicated transport and gain controls. |
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64 897 Ft (51 100 Ft excl VAT)
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PIX-RACK
Rack-Mount kit for the 970. Accommodates (2) rack type recorders. Includes a blank panel for mounting a single unit. 2 RU height. |
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64 897 Ft (51 100 Ft excl VAT) |
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QP 4140
Designed by Ambient Recording, the QP 4140 Feature-Film Boom Pole extends up to 17' long, and as such, is suitable for recording audio in the context of film, particularly in multi-cam shots, wide-camera angles, complicated lighting scenarios, and any scene involving complicated interactions between actors and cameras. |
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QP 480
Designed by Ambient Recording, the QP 480 Mini Feature-Film Boom Pole extends up to 11' long, and as such, is suitable for recording audio in the context of film, particularly in multi-cam shots, wide-camera angles, complicated lighting scenarios, and any scene involving complicated interactions between actors and cameras. |
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QP4140-SCM
Designed by Ambient Recording, the QP 4140-SCM Feature-Film Boom Pole extends up to 17' long, and as such, is suitable for recording audio in the context of film. |
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QP4140-SCS
Designed by Ambient Recording, the QP 4140-SCS Feature-Film Boom Pole extends up to 17' long, and as such, is suitable for recording audio in the context of film. |
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QP480-SCM
Designed by Ambient Recording, the QP 480-SCM Mini Feature-Film Boom Pole extends up to 11' long, and as such, is suitable for recording audio in the context of film. |
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QP480-SCS
Designed by Ambient Recording, the QP 480-SCS Mini Feature-Film Boom Pole extends up to 11' long, and as such, is suitable for recording audio in the context of film. |
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QS
The QS Premium Boom Pole from Ambient Recording is handmade layer by layer out of pre-preg carbon fiber with four segments designed to be stiff, yet lightweight and well balanced at the same time. |
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QS-SCM
The QS-SCM Premium Boom Pole from Ambient Recording is handmade layer by layer out of pre-preg carbon fiber with four segments designed to be stiff, yet lightweight and well balanced at the same time. |
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QS-SCS
The QS-SCS Premium Boom Pole from Ambient Recording is handmade layer by layer out of pre-preg carbon fiber with four segments designed to be stiff, yet lightweight and well balanced at the same time. |
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QSM
The QSM Mini Premium Boom Pole from Ambient Recording is handmade layer by layer out of pre-preg carbon fiber with four segments designed to be stiff, yet lightweight and well balanced at the same time. |
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QSM-SCM
The QSM-SCM Mini Premium Boom Pole from Ambient Recording is handmade layer by layer out of pre-preg carbon fiber with four segments designed to be stiff, yet lightweight and well balanced at the same time. |
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QSM-SCS
The QSM-SCS Mini Premium Boom Pole from Ambient Recording is handmade layer by layer out of pre-preg carbon fiber with four segments designed to be stiff, yet lightweight and well balanced at the same time. |
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QXCCM-100
The QXCCM-100 from Ambient Recording is a cable kit featuring a coiled cable and two 3-pin mono XLR connectors for the QX 5100 quickpole light boom pole. |
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QXCCM-50
The QXCCM-50 from Ambient Recording is a cable kit featuring a coiled cable and two 3-pin mono XLR connectors for the QX 550 quickpole light boom pole. The cable goes through a side outlet in the pole. |
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