The CB-MAB is a mounting bracket for OCT surround. It holds two MAB 1000 stereo bars at variable distance (13 – 47 cm).

This microphone type has flat frequency response for frontal sound incidence. This yields a very natural quality when picking up sound that is predominantly direct, i.e. close to the source or in a ”dry” acoustic.

A parabolic dish is an extraordinary tool in the hands of a skilled sound engineer, since it achieves a surprisingly high directivity at high and medium frequencies with relatively simple means. With this new parabolic dish system consisting of a special OEM parabolic dish from Telinga and a Schoeps CCM microphone, these characteristics can fully be realized. In addition we achieved significant improvements in terms of some usual disadvantages of a parabolic dish system by several innovative measures.

As can be seen from the frequency response curve, this microphone type has flat frequency response for frontal sound incidence. This yields a very natural quality when picking up sound that is predominantly direct, i.e. close to the source or in a ”dry” acoustic.

This type of microphone has a directional pattern between omni and cardioid. The basic idea in designing the CCM 21was to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics in a useful manner.

A parabolic dish is an extraordinary tool in the hands of a skilled sound engineer, since it achieves a surprisingly high directivity at high and medium frequencies with relatively simple means. With this new parabolic dish system consisting of a special OEM parabolic dish from Telinga and a Schoeps CCM microphone, these characteristics can fully be realized. In addition we achieved significant improvements in terms of some usual disadvantages of a parabolic dish system by several innovative measures.

This type of microphone has a directional pattern between omni and cardioid. The basic idea in designing the CCM 21was to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics in a useful manner.

The CCM 22 has been developed for use as a spot microphone. It unites the strengths of the CCM 4 and CCM 21 microphones. Its directionality is only slightly less than that of the CCM 4 cardioid, while its sonic character is reminiscent of the CCM 21 wide cardioid.

The CCM 22 has been developed for use as a spot microphone. It unites the strengths of the CCM 4 and CCM 21 microphones. Its directionality is only slightly less than that of the CCM 4 cardioid, while its sonic character is reminiscent of the CCM 21 wide cardioid. Its directivity is essentially constant throughout the frequency range.

If this microphone is used indoors at medium recording distances, its overall response will be linear. Its extended frequency response and low noise make it appropriate for the most demanding applications.

If this microphone is used indoors at medium recording distances (i.e. where direct sound energy is similar in amount to reflected sound energy), its overall response will be linear. Its extended frequency response and low noise make it appropriate for the most demanding applications.

The MK 2S exhibits a slight high-frequency emphasis for frontal sound incidence, with only a slight rolloff of high frequencies off axis and in the reverberant sound field.

The MK 2S exhibits a slight high-frequency emphasis for frontal sound incidence, with only a slight rolloff of high frequencies off axis and in the reverberant sound field.
The frequency response characteristic of the CCM 2S falls between that of the CCM 2 and the CCM 3, making this microphone suitable for a wide range of applications.

The CCM 2XS (formerly CCM 3) is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments where the greater portion of arriving sound has already been reflected from various room surfaces.

The CCM 2XS (formerly CCM 3) is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments where the greater portion of arriving sound has already been reflected from various room surfaces.

A CCM 4 a Schoeps legkeresettebb kompakt mikrofonja. A legmagasabb hangminőséget, egyenes frekvenciaátvitelt, a hátulról jövő, szükségtelen hangok optimális elnyomását és a teljes frekvenciatartományon állandó iránykarakterisztikát nyújtja.

A parabolic dish is an extraordinary tool in the hands of a skilled sound engineer, since it achieves a surprisingly high directivity at high and medium frequencies with relatively simple means. With this new parabolic dish system consisting of a special OEM parabolic dish from Telinga and a Schoeps CCM microphone, these characteristics can fully be realized. In addition we achieved significant improvements in terms of some usual disadvantages of a parabolic dish system by several innovative measures.

The CCM 4 is Schoeps's best-selling compact microphone. It offers the highest sound quality, flat frequency response, optimal rejection of rear-incident sound, and a directional pattern that remains constant throughout the audio frequency range.

The CCM 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS microphone type.

The CCM 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS microphone type (a loudspeaker should not be located directly along the rear axis of the microphone, however).