TRX743.5/AES Plug-on Wireless Transmitter with NeverClip - Includes one 3-Pin XLR AES (Digital) Cone (3AA battery). The TRX743.5 covers blocks 20 through 23 (512-614MHz).

TRX743.5/S Plug-on Wireless Transmitter with NeverClip - Includes one 5-Pin XLR Stereo Analog Cone (3AA battery). The TRX743.5 covers blocks 20 through 23 (512-614MHz).

TRX743.6/42 Plug-on Wireless Transmitter with NeverClip - Includes one 3-Pin XLR AES42 (Digital Powered) Cone (3AA battery). The TRX743.6 covers blocks 23 through 26 (596 – 698 MHz).

The TRX743 is a wide-band plug-on style digital wireless microphone with interchangeable cones to support all professional microphone varieties – mono analog, stereo analog, AES and AES42. The TRX743.6 covers blocks 23 through 26 (596 – 698 MHz).

TRX743.6/AES Plug-on Wireless Transmitter with NeverClip - Includes one 3-Pin XLR AES (Digital) Cone (3AA battery). The TRX743.6 covers blocks 23 through 26 (596 – 698 MHz).

Plug-on Wireless Transmitter with NeverClip - Includes one 5-Pin XLR Stereo Analog Cone (3AA battery). The TRX743.6 covers blocks 23 through 26 (596 – 698 MHz).

Analog or AES stereo transmitter with ZaxNet transmitter & receiver and 2-channel backup recorder
Built-in RF filtering (no need for FDP1)
Includes SMA RF antenna and SMA IFB antenna
Runs on external power

The TRXCL3 offers superb sound quality, a compact design and incredible ease of use of for those in film, television or ENG applications. Weighing less than a half pound (7.3 oz) it features internal recording, encrypted audio, timecode, ZaxNet functionality and more.

Deliver pristine audio quality with the TRXCL4 wide-band camera link transmitter for sound professionals in film, television, or ENG applications.

The TRXFB3 is a wide-band transmitter featuring the new Zaxcom High Density (ZHD) Modulation. It's packed full of features that make your life on set the best it can be - built-in recording with timecode, ZaxNet remote control and crystal clear 100% digital transmission that rivals a hard wire.

The TRXFB3 is a wide-band transmitter featuring the new Zaxcom High Density (ZHD) Modulation. The TRXFB3.6 covers blocks 23 through 26 (596 – 698 MHz).

The TRXLA3 is a wide-band transmitter featuring the new Zaxcom High Density (ZHD) Modulation. ZHD Modulation allows up to 10 channels of wireless to be operated in only 1 MHz of spectrum space. The TRXLA3.5 covers blocks 20 through 23 (512-614MHz).

The TRXLA3 is a wide-band transmitter featuring the new Zaxcom High Density (ZHD) Modulation. ZHD Modulation allows up to 10 channels of wireless to be operated in only 1 MHz of spectrum space. The TRXLA3.6 covers blocks 23 through 26 (596 – 698 MHz).

The “S” model is a stereo version of the LA3. The Stereo version of the LA3 does NOT have NeverClip™ / No ZHD in Stereo Mode.
The TRXLA3.5 covers blocks 20 through 23 (512-614MHz).

The “S” model is a stereo version of the LA3. The Stereo version of the LA3 does NOT have NeverClip™ / No ZHD in Stereo Mode. The TRXLA3.6 covers blocks 23 through 26 (596 – 698 MHz).

The URX100 is a multipurpose UHF receiver that can be configured as a camera link receiver, an IFB receiver with walkie talkie interface or a standalone IFB receiver with timecode view and delay.

The URX50 is a UHF IFB audio receiver. It’s designed to give you the cleanest sounding IFB audio you’ve ever heard. Perfect for critical listening on location, everyone on set will hear the difference!
Its rugged construction with nylon-filled material gives the case resistance to shock and pressure with the additional feature of being corrosion resistant. The case is also easy to clean and disinfect for the safety of everyone.

This lanyard contains a push-to-talk button and a microphone to allow the lanyard to function as a remote microphone for the walkie. Volume control is also provided from the lanyard and any headphone with a 3.5mm jack can be plugged directly into the URXL1.

Wireless storage/carry bag.

A web based GUI to control the URX50s and URX100s (needs to be connected with a TRXCL3).
Extremely intuitive and can be used on any device with a web browser on it, you just type in the IP address and you’re good to go
The GUI controls things like permissions, naming, etc. For example, you can set the script supervisor to hear your full mix, but you can allow the director to toggle between each of the talent mics and your mix.