Turns any directional (e.g. cardioid or supercardioid) CCM Compact Microphone or MK capsule with Active Cable into a boundary-layer (PZM) microphone.

Egy bekötött aktív kábel lehetővé teszi, hogy a BLM 03 CG-t csatlakoztassuk bármilyen mikrofon erősítőhöz a Colette sorozatból (kivéve az elemmel működő CMBI modellt), hogy egy teljes mikrofont kapjunk. A BLM 03 Cg a BLM 3g minden ismert előnyét biztosítja. Ajánlott azokban az esetekben, amikor a BLM 3g túl nagy (pl. tévé vagy filmes hang), vagy túl nehéz (pl. autó belsejébe rögzítve vagy alulról a zongora fedelére). A CUT 1 és CUT 2 aktív mélyvágó szűrők használhatóak a BLM 03 Cg-vel.

Boundary-layer recording offers unobtrusive microphone placement possibilities; no stands or hanging fixtures are required.

This table microphone consists of two CCM 4 compact microphones (cardioids) rigidly attached to one another and facing in the same direction.

The IRT microphone cross is an arrangement for ambient recording. Its primary characteristic is a transparent and spacious rendering of the acoustic environment.

The IRT microphone cross is an arrangement for ambient recording. Its primary characteristic is a transparent and spacious rendering of the acoustic environment.

The IRT microphone cross is an arrangement for ambient recording. Its primary characteristic is a transparent and spacious rendering of the acoustic environment.

Mechanical mount for 8 CCM microphones according to the ORTF-3D principle.

The CB-MAB is a mounting bracket for OCT surround. It holds two MAB 1000 stereo bars at variable distance (13 – 47 cm).

This microphone type has flat frequency response for frontal sound incidence. This yields a very natural quality when picking up sound that is predominantly direct, i.e. close to the source or in a ”dry” acoustic.

A parabolic dish is an extraordinary tool in the hands of a skilled sound engineer, since it achieves a surprisingly high directivity at high and medium frequencies with relatively simple means. With this new parabolic dish system consisting of a special OEM parabolic dish from Telinga and a Schoeps CCM microphone, these characteristics can fully be realized. In addition we achieved significant improvements in terms of some usual disadvantages of a parabolic dish system by several innovative measures.

As can be seen from the frequency response curve, this microphone type has flat frequency response for frontal sound incidence. This yields a very natural quality when picking up sound that is predominantly direct, i.e. close to the source or in a ”dry” acoustic.

This type of microphone has a directional pattern between omni and cardioid. The basic idea in designing the CCM 21was to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics in a useful manner.

A parabolic dish is an extraordinary tool in the hands of a skilled sound engineer, since it achieves a surprisingly high directivity at high and medium frequencies with relatively simple means. With this new parabolic dish system consisting of a special OEM parabolic dish from Telinga and a Schoeps CCM microphone, these characteristics can fully be realized. In addition we achieved significant improvements in terms of some usual disadvantages of a parabolic dish system by several innovative measures.

This type of microphone has a directional pattern between omni and cardioid. The basic idea in designing the CCM 21was to combine the advantages of the cardioid with those of the omni. This results in a pickup pattern which blends the two sets of characteristics in a useful manner.

The CCM 22 has been developed for use as a spot microphone. It unites the strengths of the CCM 4 and CCM 21 microphones. Its directionality is only slightly less than that of the CCM 4 cardioid, while its sonic character is reminiscent of the CCM 21 wide cardioid.

The CCM 22 has been developed for use as a spot microphone. It unites the strengths of the CCM 4 and CCM 21 microphones. Its directionality is only slightly less than that of the CCM 4 cardioid, while its sonic character is reminiscent of the CCM 21 wide cardioid. Its directivity is essentially constant throughout the frequency range.

If this microphone is used indoors at medium recording distances, its overall response will be linear. Its extended frequency response and low noise make it appropriate for the most demanding applications.

If this microphone is used indoors at medium recording distances (i.e. where direct sound energy is similar in amount to reflected sound energy), its overall response will be linear. Its extended frequency response and low noise make it appropriate for the most demanding applications.

The MK 2S exhibits a slight high-frequency emphasis for frontal sound incidence, with only a slight rolloff of high frequencies off axis and in the reverberant sound field.