Our best and most lightweight boom pole yet!
Boom poles are indispensable to record clear location audio on set and are a key component in every location sound recordist’s and boom operator’s kit (apart from audio recorders and mics). From feature films to streaming series and documentaries, boom poles help capture dialog and sounds in the best quality possible. A good boom pole should stow away cables and give your mic the necessary support.

The QPSCM-4140 Straight Cabling Kit from Ambient Recording is a thin cable fitted into the QP 4140 boom pole (sold separately) and features a mono cable via 3-pin XLR connectors. The length of the cable is about 6' more than the extended boom.

The QPSCM-480 Straight Cabling Kit from Ambient Recording is a thin cable fitted into the QP 480 boom pole (sold separately) and features a mono cable via 3-pin XLR connectors. The length of the cable is about 6' more than the extended boom.

The QPSCM-QS Straight Cabling Kit from Ambient Recording is a thin cable fitted into the QS boom pole (sold separately) and features a mono cable via 3-pin XLR connectors. The length of the cable is about 6' more than the extended boom.

The QPSCM-QSM Straight Cabling Kit from Ambient Recording is a thin cable fitted into the QSM boom pole (sold separately) and features a mono cable via 3-pin XLR connectors. The length of the cable is about 6' more than the extended boom.

straight cable kit for QP 4140, stereo XLR5

The QPSCS-480 Straight Cabling Kit from Ambient Recording is a thin cable fitted into the QP 480 boom pole (sold separately) and features a stereo cable via 5-pin XLR connectors. The length of the cable is about 6' more than the extended boom.

The QPSCS-QS Straight Cabling Kit from Ambient Recording is a thin cable fitted into the QS boom pole (sold separately) and features a stereo cable via 5-pin XLR connectors. The length of the cable is about 6' more than the extended boom.

The QPSCS-QSM Straight Cabling Kit from Ambient Recording is a thin cable fitted into the QSM boom pole (sold separately) and features a stereo cable via 5-pin XLR connectors. The length of the cable is about 6' more than the extended boom.

The QR from Ambient Recording is a quick release tip for microphone boompoles and can be used to provide a noise-free joint for attaching microphones, shock mounts, and other accessories.

QuickLok Quick Release, no tips, Black Edition
The QR from Ambient Recording is a quick release tip for microphone boompoles and can be used to provide a noise-free joint for attaching microphones, shock mounts, and other accessories.

A QuickLok Quick Release Mount-ot arra tervezték, hogy egyszerű, ki-/bepattintható mikrofon-rögzítést biztosítson a mikrofonbotokra. A rendszer egy rögzítő alkatrészből és két fejből áll, amelyek egy csavaró mozdulattal egymásba zárhatóak az egyszerű csatlakoztatás és leválasztás érdekében. A QuickLok egy kényelmes eszköz a gyors mikrofonfelszereléshez és a csendes, zajmentes működtetéshez. A Quicklok bármilyen 3/8" menetre illeszthető, amellyel mikrofonbotokon találkozhatunk.

The Ambient Recording QuickLok Quick Release Mount is designed to provide snap-on / snap-off microphone assembly mounting onto boom poles. The system consists of a mounting stud and two tips that join in a twist-lock motion for easy connection and release. The QuickLok is a convenient tool for quick microphone assembly and quiet, rattle-free operation. The Quicklok fits any 3/8" thread as encountered on all microphone booms.

From Ambient Recordings, this QuickLok Spare Tip is identical to those included in the QuickLok Quick Release Microphone Mounting System. The tips interlock with the main stud in a twist-lock motion. The spare tip replaces any lost or damaged tips included with the Quick Release system.

The QRX200 is a 200 MHz wide ENG receiver. A tunable tracking front end filter is featured in the QRX200 so you can receive any frequency in any block from 20 through 27 or 512 – 698 MHz while still filtering out unwanted RF.

The QRX212 is a dual channel wideband receiver module for use with the Zaxcom RX-12 Digital Wireless Receiver. The modules can be easily added or swapped as necessary.

QRX235 receives up to 4 channels of 100% digital audio from up to 2 transmitters, any combination of mono and stereo transmitters is accepted. The audio output can be either analog or AES. It also features our patented side mounted LED’s, these provide visual confirmation of audio and RF reception.

The QRX300 is a special order receiver dedicated to receive a single channel of ZHD48 modulation. The receiver has very narrow filters that allow for a 50 KHz wide signal to be received with a channel spacing as close as 100 KHz.